Monday, September 11, 2006

The Anniversary

Out of remission, autumn spreads again
all over
America, an ominous rash

mapping the oaks, the feverish apples,
as clusters of gray squirrels go awry

somewhere in the branches like tumors
fattening up on fallen fruit. Autumn

has come: the season of hair loss, weight
loss, loss of appetite, insomnia,

headaches, nausea, the season
of mellow frustrations, and failure

to urinate even when rain keeps on
dripping from the intravenous sky,

unable to ease up pain.
Let’s face it: war will never end

however we bombard our bodies
or the terrorist cells of our enemy –

someone survives in the rubble
and staggers to the safe haven of hate

to wait out the winter and pray
for martyrdom, the blossom of death.

Friday, September 01, 2006

The man in the wheelchair spilled
an alphabet
in front of our feet and then asked
for directions: “Which way
to the step show?”
his grimy index all the while
tracing individual letters, smudged ink,
as we followed his cue, spelling out
like a chorus of first-graders, shy
in the beginning, gradually growing
more confident, excited over
the long-forgotten craft of reading less
than words. “Which way to the step show?”
but we didn’t know, how could we
(grad students in English literature
overfed with language)
point out the right direction to the man
in the wheelchair,
who simply wanted to see
people dance.

Tuesday, August 29, 2006

Sunflowers in Berkeley

Newly arrived in Berkeley at the end of August,
I commiserate with the local sunflowers
too sunburned and heavy already
to hold their faces up toward the smothering sun,
which they used to call home.

Like a cavalcade
of faithless, road-weary pilgrims
they stare, guilt-ridden, at their feet instead,
trekking an unasked-for journey
while the ripe seeds drop on the ground,
tears that have wholly blackened
their once green eyes.

No, this is neither the time, nor the country
to plant tears: highways stretch across the horizon
and beyond them – the ocean;
burly kids play football, play guitars
on the sun-lit campus lawns;
and I remember that young bearded poet
sitting under the shade of the Southern Pacific locomotive,
fifty years ago at the exact same spot,
mourning similar losses, but hopeful and ecstatic
over his scepter of a sunflower.

I wish I could still believe in California’s
and poetry’s power to lessen pain.

A Toast to Emile Zola

Gathered round the banquet tables of the Berkeley library,
no steward brims our cups with wine, or good ale,
which so many poems praise, and all the literary feasts
of novels vanish the moment we decide
to leaf through the pages with a tongue, literally,
mistaking them for the layers of a good lasagna or
a tuna sandwich mother has placed in a lunchbox.
“This is a sad tavern,” a fellow student whispers my way,
and there’s sorrow, and anger in his eyes,
when the librarian warns him to stop humming
his favorite song and get down to reading whatever
he’s reading, which happens to be a biography of Bach,
or else get out of the library, fast, now.
He closes his book like a piano, like a violin case,
plugs in the earphones of his iPod, and starts singing
his favorite song on the way out, bellowing now,
happy to have done his lessons so quickly,
and I can still hear him outside the open window,
when another student lifts up his water-bottle
high in the air and proposes a toast
to that profligate but prolific writer, Emile Zola.

Monday, July 31, 2006

Time-Farmers

Come spring, they plant cogs by the dozen
in the broken ground, and wind up
patience. Then, just in case,
someone puts up a scarecrow to stand guard
at the edge of the farm
or maybe serve as a sundial with two hands.

Time-farmers. Unsubsidized by the government,
untouched by technology, they use
only the most primitive tools:
a pendulum and an endless string
to sway over the heads of tick-tocking cattle;
instead of grain they stack up hours
in the barn, and later grind them down
to fine seconds, before bread rises in the oven,
just in time for supper.

Such simple life, gathering to spend, until
a drought comes around,
or a flood, and the cogs fail.
Only hunger is left to cuckoo, softly,
like a grandfather’s clock.

Friday, July 28, 2006

Зъбите

Тук, под високите прозорци
на стоматологията,
София се прозява
с разкривените си панелни зъби,
олющения им емайл,
а в далечината проблясват
пломбираните кубета на Александър Невски.

Може би сега свещениците обядват,
дъвчат банички със сирене или пържоли
със сметана
в ресторанта на Семинарията,
докато отвън
просяците са заседнали
като загниващи мръвки между фасадите.

Някъде в Южния парк
езикът заспива
зад беззъбите венци на пеленаче.

Sunday, February 19, 2006

Indelicate is he who loathes
The aspect of his fleshy clothes, --
The flying fabric stitched on bone,
The vesture of the skeleton,
The garment neither fur nor hair,
The cloak of evil and despair,
The veil long violated by
Caresses of the hand and eye.
Yet such is my unseemliness:
I hate my epidermal dress,
The savage blood's obscenity,
The rags of my anatomy,
And willingly would I dispense
With false accouterments of sense,
To sleep immodestly, a most
Incarnadine and carnal ghost.

Saturday, February 18, 2006

Since we have long forgotten all
the mating rituals of old,
the pungent
tang of hormones in the air,
the feral caterwaul
strident like a prayer,

I pray that these words,
though dumb and odorless
and sexless,
may touch you where
the wet night
palpitates and shakes.

Wednesday, February 15, 2006

Prayer
George Herbert

Prayer the Churches banquet, Angels age,
Gods breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage,
The Christian plummet sounding heav'n and earth;

Engine against th' Almightie, sinners towre,
Reversed thunder, Christ-side-piercing spear,
The six-daies - world transposing in an houre,
A kinde of tune, which all things heare and fear;

Softnesse, and peace, and joy, and love, and blisse,
Exalted Manna, gladnesse of the best,
Heaven in ordinarie, man well drest,
The milkie way, the bird of Paradise,

Church-bels beyond the starres heard, the souls bloud,
The land of spices; something understood.
Dodo

Once upon a time,
When the world was just a pancake.
Dave Matthews, "Dodo"

Like a blackened sun on the horizon,
malignant cell,
the thing drew nearer to me,
grew larger, and then
beautiful.

A ship.
I learned the word
from him, the red-bearded being,
who smelled of fish and smoked tobacco,
the man - another word I later learned.

I met him on the beach
with joyous cries, cackles, trills,
garlands weaved out of my own feathers,
the softest down, plumage
as delicate as the dawn,
and fruit, so much fruit, he could have sated forever
his emaciated imagination.
In the evening, by the wild flicker of his fire,
I danced for him a little dance
no foreigner had ever witnessed before,
naked now, molting, unabashed
by his brazen eyes.

I was that lonely.

Then I became his tour guide,
his favorite bird and companion.
I took him around my pancake island -
northeast, southwest, underground
in the nacreous caves, the forests primeval,
wherever he wished,
showed him the melodious
rippling fresh springs and brine pits,
the brightest of non-poisonous berries
I unpinned in his mouth,
and introduced him even to my friends,
the Rodrigues Solitaire and the Broad-billed Parrot,
who liked him well enough.

Paradise, he said one day, this is paradise,
and kissed me on the beak.
What is paradise?
I crooned back, searching his eyes
for an answer.
You're such a Dodo, he told me,
and the name stuck.

Years passed. Happiness did not last.
More ships arrived, more
red-bearded men and some
beardless women.
They began chopping down trees, eating
berries indiscriminately,
the criminals.
Reports came that my cousins were killed.
Someone cut the vocal cords of the springs.

What has happened to my world, squeezed
into a ball,
people spreading like cancer to the poles?
Even my own man, whom I loved so much,
has taken to drink, to gambling.
I do my little dance for him
to cheer him up, but
he only grunts like a pig.

So be it. I've packed my bags,
my feathers, ready to waddle off.
There's only one more thing to do.
I scribble on a piece of paper,
"Off to Wonderland,"
and I slam the door.



When I put her out, once, by the garbage pail,
She looked so limp and bedraggled,
So foolish and trusting, like a sick poodle,
Or a wizened aster in late September,
I brought her back in again
For a new routine--
Vitamins, water, and whatever
Sustenance seemed sensible
At the time: she'd lived
So long on gin, bobbie pins, half-smoked cigars, dead beer,
Her shriveled petals falling
On the faded carpet, the stale
Steak grease stuck to her fuzzy leaves.
(Dried-out, she creaked like a tulip.)

The things she endured!--
The dumb dames shrieking half the night
Or the two of us, alone, both seedy,
Me breathing booze at her,
She leaning out of her pot toward the window.

Near the end, she seemed almost to hear me--
And that was scary--
So when that snuffling cretin of a maid
Threw her, pot and all, into the trash-can,
I said nothing.

But I sacked the presumptuous hag the next week,
I was that lonely.

Friday, February 10, 2006

Smoking Pot with My Parents (Based on a True Story)


My family has just finished dinner, when I tell my mother: “Let's smoke some pot.” I don't mean what I say, of course, the way I don't mean most of the things I say to my mother. It's just a joke, I guess, a postprandial joke, which, like all other kinds of jokes, is supposed to make people laugh. A postprandial joke. Ha-ha. “Let's smoke some pot,” I repeat half-heatedly this time, still expecting a belated roar of laughter from across the table, a chuckle, or at least a smile acknowledging my petty humor. Hello? Even a frown is welcome now, a reprimand, a good old scolding, anything but this accusatory silence. If the laws of physics are correct, I must expect a reaction to my action, right, some sort of emotional engagement, which would prove I'm not alone in the kitchen, in the universe. When you poke a frog with a stick, the frog jumps; when you poke a bear with a stick, the bear eats you alive - that sort of thing. I don't want to suggest that my mother resembles either a frog or a bear, though she is well known for her croaky voice and voracious appetite. All I'm saying is that I try to tell a joke after dinner and it doesn't quite work out. Instead, she looks at me with those calm, terribly calm eyes of hers and says, “Let us!”

“Let us” is an odd expression, especially when it stands on its own. Because my mother never deigns to complete her sentences, it's impossible to know whether she means “lettuce,” in which case she probably wants me to get some more lettuce from the fridge, or “let us,” which would be tantamount to her expressing a preposterous desire to smoke pot. To be on the safe side is my philosophy of life, so I opt for the lettuce. I get up, open the fridge, and deliver the coveted vegetable. As I place it on the table my mother bursts into laughter. “You're a moron,” she says, “Are we going to smoke lettuce?” Obviously, I have never known my mother. My father stares at her in disbelief. Obviously, he has never known his wife.

When I return to the kitchen, I carry a plastic sachet with a quarter ounce of marijuana. It's from my personal cache, my Treasure Island book-safe, which I've been hiding in the farthest reaches of my library for fear that my parents might decide one day to peruse something by Robert Louis Stevenson. Such unfounded fears we have! Just to think that all these years I've been creeping and crouching and prowling and skulking, trying to deceive an enemy who was bravely fighting on my side. Mother, dear, forgive my lowly estimate of you! O wonderful mother, that can so astonish a son!

I brush aside the bread crumbs from the table and spread out in their places little clumps of THC happiness. My babies swaddled in green. Now that the secret is out and my parents have recognized my illegitimate children, I feel somehow relieved, morally unburdened, like the minister with the black veil who has finally found the courage to confess his quandary. I take one of my green babies and lay him in his crib of smoking-paper. Rocking him gently from side to side, humming an old lullaby my mother used to sing, I roll him to sleep. A lick of the tongue and he is already dreaming, tightly sealed in his white innocence.

Let's get this straight. I'm not some kind of filicidal monster who just slaughters his own children for a bit of narcotic fun, a Saturn devouring his offspring. No. No. No. I vehemently reject such cold-blooded comparisons. Rather, I prefer to think that by lighting a joint, wherein my green baby lies fast asleep, I kindle the flame of his genuine life, and not his funeral pyre, as some might rashly conclude. In the smoke I inhale, in the smoke I exhale, my children attain a communion with the divine, immortality. Or is it me? I'm starting to get confused here. I'd better get on with my story.

I roll the joint and light it. I take a few tokes - seven, eight, nine, ten seconds, nine, eight, seven - funny that the clock is moving backwards now - but still refuse to pass it over to my mom, vaguely wary that she might suddenly decide to stub it out directly into my eye socket. Maybe this is all a complicated trap, designed by my diabolical parents to catch me, long overdue, in the act of wrongdoing.

“Pass me the roach,” my mother says to my disbelieving, choking self. A roach? My mother? Where the hell has she learned her dope lingo? There was a movie on TV about a mother who turned out to be the neighborhood pot dealer. Was it based on a true story? I decide I’d better keep mum about it. Unwitting, perhaps, that she is transubstantiating her grandchildren into bluish smoke, mom takes a deep drag, so deep she might have been sniffing the blooming rose-bushes in the family garden. She doesn’t cough, she doesn’t retch, she doesn’t show any of the rookie symptoms that plagued me so persistently at a more tender age. No pot-headed, Rastafarian friend of mine could survive such an overdose, I swear. And she handles the joint, I mean, her roach, with such virtuosity and ease, that I cannot but imagine a pianist, say Vladimir Horowitz, performing Rachmaninov’s Piano Concerto No.3. Mother, mother, who the fuck are you?

She calmly passes her flat piano key to my father, whose apparent squeamishness and bewilderment are ranker than the marijuana smoke filling up the kitchen air. His entire life, as far as I remember, he has been an inveterate tobacco smoker, but now he behaves like a complete amateur – pallid face, fingers dithering – as if someone has given him a cup of hemlock instead. Even though he is an anesthesiologist by profession, a state-sponsored narco-baron so to speak, and it is his main responsibility as such to administer every day the most potent mind-altering substances known to man, he looks cowed, terrified by the innocuous appearance of the simplest of recreational drugs. I’m starting to pity him, poor dad. My mother’s fantastic whim has taken him by surprise and has become the Trojan horse whose belly pours forth enemy fighters determined to burn and pillage their long happy marriage, while he’s still rubbing his sleepy eyes, all his defenses down, unable even to put a decent fight. Without further comment he takes a cautious whiff. To see my mother –a conservative, humorless lady – or so I used to think – toke up is one thing; to see, however, a reefer sizzling between my father’s lips is a totally different matter altogether. Just looking at him gives me the surreal creeps: the father I have always respected and feared, the father who, as a member of parliament three years ago voted against the decriminalization of marijuana, has now fallen victim to the most reprehensible vice and his worst nightmare. Puckering his face in disgust, he hastily returns the roach my way, guilty to the bone. And yet, I do believe I can sense something else about him too: an unfamiliar glint in his eye, a mysterious smile.

We’ve come full circle then. After so many years of festering secrets, arguments, slammed doors, broken plates, tears, we’ve finally managed to become a real family. No masks, no pretences. Our lowest selves are out in the open, high…

“Pass me the roach,” my mother says again, and I gladly obey. This is going to be a pleasant family evening.

Friday, February 03, 2006

There's a homeless man (is he homeless?) who passes by my window every day with the regularity of homlessness. He wears a brown coat, brown pants, and a brown fedora, even in the height of summer. Sixty, seventy perhaps - it's hard to tell his age. Walks slowly, very slowly. Pulls behind on a leash the steel frame of a baby carriage. Empty in the morning; stacked with flattened brown cardboard in the afternoon. Takes it to the nearby recycling center. So much cardboard, he can hardly keep it balanced. Sometimes I think he is made out of brown cardboard and it's himself he's pulling on a leash. He must be a stack of brown flattened cardboard. Collapsed.
I feel pity for him, most of the time. Pity is the most pitiless feeling. It immediately places you in a superior position. Pity is the feeling of the stronger toward the weaker. Satisfaction. The spite of the survivor. I pity myself.
Other times I feel annoyed and impatient with him. Why does he move so slowly? Get your ass out of my sight. He doesn't. He keeps on pulling his stack of brown cardboard.

Thursday, February 02, 2006

Ok, fine.
How do you describe something? Anything?
A line here and a line there. More lines.
Some circles. No squares.
I go back to where I began.
Ok, fine.